Jacob Gils
Es Capdella #3, 2023
archival pigment print on Dibond
90h x 60w in, Ed. of 5
55h x 37w in, Ed. of 6
24h x 16w in, Ed. of 9
Jacob Gils
Palma #5, 2022
archival pigment print
90h x 60w in, Ed. of 5
71h x 47w in, Ed. of 6
Jacob Gils
Cali #10, 2019
archival pigment print
90h x 60w in, Ed. of 5
71h x 47w in, Ed. of 5
55h x 37w in, Ed. of 6
43h x 29w in, Ed. of 6
Jacob Gils
Copenhagen #25, 2015
archival pigment print
90h x 60w in, Ed. of 5
71h x 47w in, Ed. of 5
55h x 37w in, Ed. of 6
43h x 29w in, Ed. of 6
Jacob Gils
Frederiksdal #7, 2018
archival pigment print
90h x 60w in, Ed. of 5
71h x 47w in, Ed. of 5
55h x 37w in, Ed. of 6
Jacob Gils
Key West #2, 2019
archival pigment print
90h x 60w in, Ed. of 5
71h x 47w in, Ed. of 5
55h x 37w in, Ed. of 6
43h x 29w in, Ed. of 6
Jacob Gils
London #31, 2017
archival pigment print
90h x 60w in, Ed. of 5
71h x 47w in, Ed. of 5
55h x 37w in, Ed. of 6
Jacob Gils
Cali #8 Triptych, 2019
archival pigment print on Dibond
39h x 39w in x 3 parts, Ed. of 5
32h x 32w in x 3 parts, Ed. of 6
24h x 24w in x 3 parts, Ed. of 9
Jacob Gils
Copenhagen #23, 2018
archival pigment print on Dibond
90h x 60w in, Ed. of 5
71h x 47w in, Ed. of 5
55h x 37w in, Ed. of 6
Jacob Gils
Sophienholm #1 Triptych, 2024
archival pigment print on Dibond
39h x 39w in x 3 parts, Ed. of 5
32h x 32w in x 3 parts, Ed. of 6
24h x 24w in x 3 parts, Ed. of 9
Jacob Gils
Santa Monica #1 Triptych, 2024
archival pigment print
39h x 39w in x 3 parts, Ed. of 5
32h x 32w in x 3 parts, Ed. of 6
24h x 24w in x 3 parts, Ed. of 9
Jacob Gils
Lisbon #16 Triptych, 2024
archival pigment print
39h x 39w in x 3 parts, Ed. of 5
32h x 32w in x 3 parts, Ed. of 6
24h x 24w in x 3 parts, Ed. of 9
Initiated by a wish to break away from controlled predefined photography I employed a distinct technique by transferring Polaroids onto Watercolor paper and a conscious dividing of the photo into multiple fields. The new take on photography let to the unique expression seen in Limit To Your Love series. I have most recently developed this series into a further exploration, using old-fashioned glass plate techniques
Movement is a series which combines a strong aesthetical point of view with meticulous attention to technical detail. As the title indicates, the series is concerned with giving shape to temporal and spatial aspects inherent in all visual experience.
Transfer series are polaroids transferred onto watercolour paper. Through this technique a particularly atmospheric and dreamy mood arises. Upon closer inspection, however, the eye begins to decode that in these works there are real places depicted, all with their special characteristics.